1,288 Royalty-Free Audio Tracks for "5 Equal Temperament Intervals"

*Major semitone/Minor diatonic semitone on C = C17♯ (Ben Johnston's notation). 17/16 = 104.96 cents. Limit: 17-limit. 17th harmonic.

*Pythagorean augmented third on C = E♯+++ (Ben Johnston's notation). 177147/131072 = 521.51 cents. Limit: 3-limit. MIDI pitch bend: 113,70

*Pythagorean major sixth on C = A+ (Ben Johnston's notation). 27:16 = 905.87 cents. Limit: 3-limit. MIDI pitch bend: 112,65

*Ditone (Pythagorean major third) on C = E+ (Ben Johnston's notation). Just: 81:64 = 407.82 cents. Limit: 3-limit. MIDI pitch bend: 64,66 81st harmonic.

*Pythagorean augmented sixth on C = A♯+++ (Ben Johnston's notation). 59049/32768 = 1019.55 cents. Limit: 3-limit. MIDI pitch bend: 33,70

*Pythagorean major seventh on C = B+ (Ben Johnston's notation). 243:128 = 1109.78 cents. Limit: 3-limit. MIDI pitch bend: 16,67

*Eighty-fifth harmonic on C = E♯ (Ben Johnston's notation). Just: 85:64 = 491.27 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 17-limit. MIDI pitch bend: 26,93 on M3

*Eighty-seventh harmonic on C = F+ (Ben Johnston's notation). Just: 87:64 = 531.53 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 29-limit. MIDI pitch bend: 11,74

*Twenty-first harmonic, harmonic seventh on G on C = F+ (Ben Johnston's notation). 21:16 = 470.78 cents. Limit: 7-limit. MIDI pitch bend: 83,54

[Dominant] eleventh chord in F, on C (C11). "As it appears in actual music": C, —, G, B, D, F.

The Carpenters chord notated in C Major. Dominant 9sus4 chord in C major: G9sus4.

Dominant thirteenth chord (V13) in F major (C E G B♭ D).

*Augmented eleventh on C = F♯'. Equal-tempered: 218/12:1 = 1800 cents. MIDI pitch bend: none

Dominant form chord: Dominant flat ninth chord preceding tonic chord and possessing a primary dominant function.

*Augmented fourth on C = F♯. Equal-tempered: 26/12:1 = 600 cents. MIDI pitch bend: none

*Perfect octave on C = C'. Just: 2:1 = 1200 cents. Equal-tempered: 212/12:1 = 1200 cents. Limit: 3-limit. MIDI pitch bend: none MIDI.

*Seventy-seventh harmonic on C = E↑♭ (Ben Johnston's notation). Just: 77/64 = 320.14 cents. Limit: 11-limit. MIDI pitch bend: 57,70

*Eleventh harmonic on C = F↑ (Ben Johnston's notation). 11:8 = 551.32 cents. Limit: 11-limit. MIDI pitch bend: 54,80

Musical scale called "Ishartum" by Lou Harrison, often called the "Flamenco mode", in Pythagorean tuning on E, as follows: (by fifths) F-, C-, G-, D-, A, E, B (F♯+, C♯+, G♯+, and D♯+), or (in order) E (1/1), F- (256/243), G- (32/27), A (4/3), B (3/2), C- (128/81), D (16/9), E (2/1), with G♯+ being 81/64 and D#+ being 729/512. The final F- has an augmented sixth chord, B7b5/F (B D# F A), which resolves to a major chord that touches on the minor third.

Seven steps in A12 equal temperament on middle C. 3(7/12)=1109.47 cents.

*Two-hundred-ninth subharmonic on C = E↓. Just: 256/209 = 351.17 cents. Limit: 19-limit. MIDI pitch bend: 47,48

Six steps in A12 equal temperament on middle C. 3(6/12)=950.98 cents.

D♭7♯11 chord = G7alt chord.

*Hundred-sixty-ninth subharmonic on C = G♯. Just: 256/169 = 718.94 cents. Limit: 13-limit. MIDI pitch bend: 7,70

*Fifty-first subharmonic on C = F♭. Just: 64/51 = 393.09 cents. Limit: 17-limit. MIDI pitch bend: 101,61

*Twenty-ninth subharmonic on C = D-. Just: 32/29 = 170.42 cents. Limit: 29-limit. MIDI pitch bend: 68,54

*Hundred-sixty-first subharmonic on C = A♭-. Just: 256/161 = 802.90 cents. Limit: 23-limit. MIDI pitch bend: 118,64

*Thirty-ninth subharmonic on C = A. Just: 64/39 = 857.52 cents. Limit: 13-limit. MIDI pitch bend: 51,50

Dominant thirteenth: four-voice version.

*Hundred-eighty-seventh subharmonic on C = G↓♭. Just: 256/187 = 543.73 cents. Limit: 17-limit. MIDI pitch bend: 127,77

*Hundred-fifteenth subharmonic on C = E♭-. Just: 128/115 = 185.41 cents. Limit: 23-limit. MIDI pitch bend: 42,59

*Hundred-nineteenth subharmonic on C = D♭-. Just: 128/119 = 126.22 cents. Limit: 17-limit. MIDI pitch bend: 49,72

Example of a German sixth chord, preceded by predominant chords, in Scott Joplin's Binks' Waltz (1905).

Two steps in A12 equal temperament on middle C. 3(2/12)=316.99 cents.

Tridecimal narrow tritone on C. F♯+ = 18/13 = 563.38 cents.

*Fifty-seventh subharmonic on C = D-. Just: 64/57 = 200.53 cents. Limit: 19-limit. MIDI pitch bend: 21,64

*Two-hundred-seventh subharmonic on C = F♭-. Just: 256/207 = 367.82 cents. Limit: 23-limit. MIDI pitch bend: 89,53

*Hundred-ninety-fifth subharmonic on C = F. Just: 256/195 = 471.20 cents. Limit: 13-limit. MIDI pitch bend: 100,54

*33rd subharmonic on C = C↓. Just: 64:33 = 1146.73 cents. Limit: 11-limit. MIDI pitch bend: 122,78

*Hundred-seventy-first subharmonic on C = G-. Just: 256/171 = 698.58 cents. Limit: 19-limit. MIDI pitch bend: 69,63

Dominant seventh flat nine chord on C - As MIDI

Dominant thirteenth chord in four-part writing.

Four steps in A12 equal temperament on middle C. 3(4/12)=633.99 cents.

Eight steps in A12 equal temperament on middle C. 3(8/12)=1267.97 cents.

*Hundred-forty-third subharmonic on C = B↓. Just: 256/143 = 1008.15 cents. Limit: 13-limit. MIDI pitch bend: 78,66

*Hundred-fifty-third subharmonic on C = B-. Just: 256/153 = 891.13 cents. Limit: 17-limit. MIDI pitch bend: 20,61

*Hundred-thirty-third subharmonic on C = B-. Just: 256/133 = 1133.66 cents. Limit: 19-limit. MIDI pitch bend: 98,74

Three steps in A12 equal temperament on middle C. 3(3/12)=475.49 cents.

*77th subharmonic on C = A↓. Just: 128:77 = 879.86 cents. Limit: 11-limit. MIDI pitch bend: 71,89 on m6

*Sixty-ninth subharmonic on C = C♭-. Just: 128/69 = 1069.77 cents. Limit: 23-limit. MIDI pitch bend: 41,54